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Glade, oil and pastel on paper, 2017

Artist Bio

Martha Hill is an abstract artist residing in Kingston, NY, who is inspired by color, mood, and the natural beauty of the Hudson Valley. After earning a BFA, she worked for a decade in non-profit organizations.  Martha earned her master’s in teaching in 2001 and was a special education teacher until 2022. During this time, she worked with pastels and charcoal, and beginning in 2011, studied at the Woodstock School of Art. After discovering the joy of working with oil paints, she developed a body of work combining mark-making with palette knife painting. She also creates monotypes and collages. Martha’s work has been shown in numerous Hudson Valley locations including Arbor Gallery, ArtBar Gallery, Emerge Gallery, Gallery 40, Art Society of Kingston, Woodstock Artists Association & Museum, and the Woodstock School of Art.

Artist Statement

Art is essential for me to express what I can only share through a visual language. As long as I can remember, I’ve interacted with world primarily visually, noticing color, pattern, and contrasts in light and dark. Painting allows me to share my experience with others and at the same time process my emotions and responses to the world. Drawing in my sketchbook and creating monotypes also play a role in my artistic practice, supporting and enriching my primary focus on painting.

 

Intrigued by color and movement, my paintings often stem from a memory of colors, an emotion, or mark-making.  To start, I make a few pencil marks to break up the space, mix several colors, then begin applying paint with palette knives. As the piece progresses, observing how colors and shapes relate and echo each other, I continue to shape the composition by adding and removing paint.

 

Each artwork feels like creating choreography or a musical score as I interact with the space. Working intuitively, references to landscape may emerge or the work may remain abstract. I find that people bring their own experiences to viewing art, especially abstract work.  To me, my work feels like inner landscapes or atmospheres. It evokes a sense of place yet allows the viewer to decide where that place might be.

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